Instructor
Dr. Subhashree Sampada
Description
Pay on: 8763232327@ybl
After payment fill the form
https://forms.gle/a89NGkTPPppVEXJSA
ଆପଣ ପଇସା ପଠେଇଥିବା ଫୋନ ନମ୍ବର ସହ Email ID କୁ ମାତୃଏକାଡେମୀ ର WhatsApp ନମ୍ବର 8763232327କୁ ପଠାଇ ଦିଅନ୍ତୁ| 24 ଘଣ୍ଟା ଭିତରେ ଆପଣ ପାଠ୍ୟକ୍ରମର ଲାଭ ନେଇପାରିବେ
ଏହି କୋର୍ସ ଓଡିଆ ଭାଷା ଓ ସାହିତ୍ୟର ଅଭ୍ୟାସରେ ଦକ୍ଷତା ବୃଦ୍ଧି କରିବା ସହିତ ସିଭିଲ୍ ସର୍ଭିସ ମୁଖ୍ୟ ପରୀକ୍ଷାରେ ସଫଳତା ପ୍ରାପ୍ତିରେ ସାହାଯ୍ୟ କରିବ।
Curriculum
Important Instruction
Starting Course
PAPER-I- Section A- (I) Origin and development of Odia Language-Influence of Austric, Dravidian, Perso Arabic and English on Odia Language.
-
9
Origin of Odia Language -
10
PAPER-I- Section A||a|| Origin of Odia Language -
11
PAPER-I- Section A||a|| Origin of Odia Language
-
12
PAPER-I- Section A||b|| Language of Abhilekha
-
13
PAPER-I- Section A||c|| Language of Charjya Gitika
-
14
PAPER-I- Section A||d|| Language of Ancient Odia prose
ମାଦଳାପାଞ୍ଜିରେ ଗଦ୍ୟ ଭାଷା ।
ଓଡ଼ିଆ ଭାଷା ଓ ଓଡ଼ିଶାର ଇତିହାସ ଦୃଷ୍ଟିରୁ ମାଦଳାପାଞ୍ଜି ଏକ ଜାତୀୟ ସମ୍ପଦ । ଏହାର ରଚନାକାଳ ସମ୍ପର୍କରେ ବିଭିନ୍ନ ମତ ପରିଦୃଷ୍ଟ ହୁଏ । ଏହାର ରଚନାକାଳର ଆରମ୍ଭ ସମ୍ପର୍କରେ ଯେଉଁ ମତଗୁଡ଼ିକ ପରିଦୃଷ୍ଟ ହୁଏ, ସେଗୁଡ଼ିକୁ ମୁଖ୍ୟତଃ ଦୁଇଭାଗରେ ବିଭକ୍ତ କରାଯାଇପାରେ । ଷୋଡ଼ଶ ଶତାବ୍ଦୀ ପୂର୍ବବର୍ତ୍ତୀ ରଚନା ରୂପେ ପରିଦୃଷ୍ଟ ମତ ଓ ଷୋଡ଼ଶ ଶତାବ୍ଦୀ ପରବର୍ତ୍ତୀ ରଚନା ରୂପେ ପରିଦୃଷ୍ଟ ମତ । ପ୍ରଥମ ମତର ପରିପୋଷକ ହେଉଛନ୍ତି ପଣ୍ଡିତ ସୂର୍ଯ୍ୟନାରାୟଣ ଦାଶ , ପଣ୍ଡିତ ଆର୍ତ୍ତବଲ୍ଲଭ ମହାନ୍ତି , ପ୍ୟାରୀମୋହନ ଆଚାର୍ଯ୍ୟ , ପଣ୍ଡିତ କୃପାସିନ୍ଧୁ ମିଶ୍ର (ଓ ଦ୍ବିତୀୟ ମତର ପରିପୋଷକ ହେଉଛନ୍ତି ଡଃ ହରେକୃଷ୍ଣ ମହତାବ , ପଣ୍ଡିତ ନୀଳକଣ୍ଠ ଦାସ , ଡଃ କୃଷ୍ଣଚନ୍ଦ୍ର ପାଣିଗ୍ରାହୀ , ଡଃ କୁଞ୍ଜବିହାରୀ ତ୍ରିପାଠୀ , ମନମୋହନ ଚକ୍ରବର୍ତ୍ତୀ , ଡଃ ସୁନୀତି କୁମାର ଚାଟାର୍ଜୀ , ରମାପ୍ରସାଦ ଚାନ୍ଦ , ଡଃ ଖଗେଶ୍ୱର ମହାପାତ୍ର , ଇତ୍ୟାଦି ।
-
15
PAPER-I- Section A||e|| Language of 15th century/1
-
16
PAPER-I- Section A||e|| Language of 15th century/2
-
17
PAPER-I- Section A||e|| Language of 15th century/3
-
18
PAPER-I- Section A||f|| Language of Pancha Sakha
-
19
PAPER-I- Section A||g|| Language of Riti Juga
-
20
PAPER-I- Section A||h|| Language after Riti Juga
-
21
PAPER-I- Section A||i|| Language of 19th Century
-
22
PAPER-I- Section A||j|| Influence of Austric on Odia Language.
-
23
PAPER-I- Section A||k|| Influence of Dravidian on Odia Language
-
24
PAPER-I- Section A||l|| Influence of Perso Arabic on Odia Language.
-
25
PAPER-I- Section A||m|| Influence of English on Odia Language.
PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.
-
29
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 1
-
30
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.2
-
31
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./3
-
32
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./4
-
33
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./5
-
34
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./6
-
35
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./7
-
36
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.8
-
37
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 9
-
38
Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 10
-
39
PAPER-I- Section A- (ii)(a) Phonetics and Phonemics: Vowels, Consonants
-
40
PAPER-I- Section A|| ii||b|| Principles of changes in Odia sounds.
PAPER-I- Section A- (iii) Morphology: Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.
-
41
PAPER-I- Section A- (iii) video of Morphology 1
-
42
PAPER-I- Section A- (iii) video of Morphology 2
-
43
PAPER-I- Section A- (iii) (a)Morphology
-
44
PAPER-I- Section A||iii||b||Morphemes (free, bound, compound and complex)
-
45
PAPER-I- Section A||iii||c|| derivational and inflectional affixes
-
46
PAPER-I- Section A||iii||d|| Case inflection,conjugation of verb
PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.
-
47
PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences. v1
-
48
PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences. v2
-
49
PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.
ବାକ୍ୟ-ବିଜ୍ଞାନ (Syntax)
ବାକ୍ୟବିଜ୍ଞାନରେ ବାକ୍ୟ ଗଠନ ପ୍ରକ୍ରିୟା ସମ୍ପର୍କରେ ବର୍ଣ୍ଣନାତ୍ମକ, ତୁଳନାତ୍ମକ ଓ ଐତିହାସିକ ଦୃଷ୍ଟିକୋଣରୁ ଅଧୟନ କରାଯାଇଥାଏ । ବାକ୍ୟର ସାଧାରଣ ସଂଜ୍ଞା ହେଉଛି, ପୂର୍ଣ୍ଣ ରୂପେ ମନର ଭାବପ୍ରକାଶ କରୁଥିବା ସାର୍ଥକ ପଦ ବା ପଦ ସମୂହର ସମାହାର ହେଉଛି ବାକ୍ୟ ।” ଭାରତୀୟ ଭାଷାବିତ୍ ପତଞ୍ଜଳି (ଆନୁମାନିକ ଖ୍ରୀ:ପୂ: ୧୫୦) ଏବଂ ୟୁରୋପୀୟ ବିଦ୍ବାନ୍ ଥାସ (ଖ୍ରୀ:ପୂ: ପ୍ରଥମ ଶତାବ୍ଦୀ) ପ୍ରଭୃତି ଏପରି ମତର ପ୍ରବକ୍ତା ଥିଲେ । ବାକ୍ୟ ହେଉଛି ଭାଷାର ମୂଳଭିତ୍ତି । ମାନବର ଚିନ୍ତା, ଉପଲବ୍ଧି , ଅଭିବ୍ୟକ୍ତି ସବୁ ଏହି ବାକ୍ୟଦ୍ୱାରା ହିଁ ସମ୍ଭବ ହୋଇଥାଏ । ତେବେ ବାକ୍ୟ ଶବ୍ଦମାନଙ୍କର ସମାହାର କି ‘ଶବ୍ଦ ବାକ୍ୟର କୃତ୍ରିମ ଖଣ୍ଡ’ -ଏ ସମ୍ପର୍କରେ ମତଦ୍ଵିଧା ରହିଛି । ଅନ୍ଵିତାଭିଧାନବାଦ ଅନୁଯାୟୀ ବାକ୍ୟ ହିଁ ମୂଳସଭା, ଶବ୍ଦ ଏହାର ଖଣ୍ଡିତ ଅଂଶ, କିନ୍ତୁ ଅଭିହିତାନ୍ୱୟବାଦ ଅନୁଯାୟୀ ପଦ ହିଁ ମୂଳସତ୍ତା ଓ ବାକ୍ୟ ଏହି ପଦମାନଙ୍କର ଯୋଗଦ୍ବାରା ଗଠିତ ରୂପ । ଭର୍ତ୍ତୃହରି ତାଙ୍କର ‘ବାକ୍ୟପଦୀୟ’ ଗ୍ରନ୍ଥର ବ୍ରହ୍ମକାଣ୍ଡରେ ଉଲ୍ଲେଖ କରିଛନ୍ତି ଯେ ବାକ୍ୟ ହିଁ ମୂଳସଭା । ପୃଥିବୀରେ ଏପରି ଅନେକ ଭାଷା ଅଛି, ଯହିଁରେ ବାକ୍ୟର ଶବ୍ଦ ରୂପରେ କୃତ୍ରିମ ବିଭାଜନ ନାହିଁ । ଏପରି ଭାଷାମାନଙ୍କରେ ବାକ୍ୟ ଅଛି, ଶବ୍ଦ ନାହିଁ ।ମୋଟାମୋଟି ଭାବରେ ବାକ୍ୟର ଭାଷାତାତ୍ତ୍ଵିକ ସଂଜ୍ଞା ହେଉଛି—ଏହା ସାର୍ଥକ ଧ୍ବନିମାନଙ୍କର ସମଷ୍ଟି ଯାହା ସମ୍ପୂର୍ଣ ଭାବପ୍ରକାଶ ଦୃଷ୍ଟିରୁ ଅପୂର୍ଣ୍ଣ ହେଲେହେଁ ବ୍ୟାକରଣିକ ଦୃଷ୍ଟିରୁ ସ୍ୱୟଂସମ୍ପୂର୍ଣ୍ଣ ଓ ଯହିଁରେ ପ୍ରତ୍ୟକ୍ଷ ବା ପରୋକ୍ଷ ଭାବରେ ଚିନ୍ତାଧାରାର ଆଭାସ ମିଳେ ।
-
50
Important Questions of Syntax
PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism.
PAPER-I- Section A- (vi) Common errors in spellings, grammatical uses and construction of sentences.
-
54
PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses v1
-
55
PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses v2
-
56
PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses
-
57
PAPER-I- Section A- (vi) B Common errors in construction of sentences v1
-
58
PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses
-
59
PAPER-I- Section A- (vi) B Common errors in construction of sentences
-
60
Important Questions
PAPER-I- Section A- (vii) Regional variations in Odia Language (Western, Southern and Northern Odia) and Dialects (Bhatri and Desia).
-
61
PAPER-I- Section A- (vii) (b)Western variations in Odia Language v1
-
62
PAPER-I- Section A- (vii) (b)Western variations in Odia Language v2
-
63
PAPER-I- Section A- (vii) (b)Western variations in Odia Language
-
64
PAPER-I- Section A- (vii) (c)Southern variations in Odia Language v1
-
65
PAPER-I- Section A- (vii) (c)Southern variations in Odia Language
-
66
PAPER-I- Section A- (vii) (d)Northern variations in Odia Language v1
-
67
PAPER-I- Section A- (vii) (d)Northern variations in Odia Language v2
-
68
PAPER-I- Section A- (vii) (d)Northern variations in Odia Language
-
69
PAPER-I- Section A- (vii) (e)Bhatri Dialects v1
-
70
PAPER-I- Section A- (vii) (e)Bhatri Dialects v2
-
71
PAPER-I- Section A- (vii) (e)Bhatri Dialects
-
72
PAPER-I- Section A- (vii) (f)Desia Dialects v1
-
73
PAPER-I- Section A- (vii) (f)Desia Dialects
-
74
PAPER-I- Section A- (vii) (f)Desia Dialects
-
75
PAPER-I- Section A- (vii)(a) Regional variations in Odia Language v1
-
76
PAPER-I- Section A- (vii)(a) Regional variations in Odia Language
PAPER-I- Section B-(i) Historical backgrounds (social, cultural and political) of Odia Literature of different periods.
-
77
PAPER-I- Section B-(i) ||a||Different periods of Odia literature
-
78
PAPER-I- Section B-(i) ||a||Different periods of Odia literature v1
-
79
PAPER-I- Section B-(iii) (b)Prak Sarala age
-
80
PAPER-I- Section B-(iii) (b)Prak Sarala age v1
-
81
PAPER-I- Section B-(iii) (b)Prak Sarala age v2
-
82
PAPER-I- Section B-(i) ||b|| Prak Sarala Age
-
83
PAPER-I- Section B-(i) ||c|| Introduction of Sarala age
-
84
PAPER-I- Section B-(i) ||c|| Introduction of Sarala v1
-
85
PAPER-I- Section B-(i) ||c|| Introduction of Sarala v2
-
86
PAPER-I- Section B-(i) ||c|| Introduction of Sarala age v9
-
87
v1 PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period v1
-
88
PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period
-
89
v2 PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period
-
90
PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
-
91
v2 PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
-
92
v1 PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
-
93
v1PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
-
94
PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
-
95
v2 PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
-
96
PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction
-
97
PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v3
-
98
PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v2
-
99
PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v2
-
100
PAPER-I- Section B-(i) (h)Political Background of Panchashakha Period
-
101
PAPER-I- Section B-(i) (h)Political Background of Panchashakha Period
-
102
v1 PAPER-I- Section B-(i) (i)Social Background of Panchashakha Period
-
103
PAPER-I- Section B-(i) (i)Social Background of Panchashakha Period
-
104
v2 PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
-
105
v1 PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
-
106
PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
-
107
v1 PAPER-I- Section B-(i) (k)Introduction of Reeti Period
-
108
PAPER-I- Section B-(i) (k)Introduction of Reeti Period
-
109
v1 PAPER-I- Section B-(i) (l)Political Background of Reeti Period
-
110
PAPER-I- Section B-(i) (l)Political Background of Reeti Period
-
111
v1 PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
-
112
PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
-
113
v1 PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
-
114
PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
PAPER-I- Section B-(ii) Ancient epics, ornate kavyas and padavalis.
-
115
v1 PAPER-I- Section B-(ii) (a)ancient epics
-
116
v2 PAPER-I- Section B-(ii) (a)ancient epics
-
117
PAPER-I- Section B-(ii) (a)ancient epics
-
118
Ornate Kavyas
-
119
v1 PAPER-I- Section B-(ii) (b)ornate kavyas
-
120
v2 PAPER-I- Section B-(ii) (b)ornate kavyas
-
121
v3 PAPER-I- Section B-(ii) (b)ornate kavyas
-
122
PAPER-I- Section B-(ii) (b)ornate kavyas
-
123
v1 PAPER-I- Section B-(ii) (c)padavalis.
-
124
PAPER-I- Section B-(ii) (c)padavalis.
PAPER-I- Section B-(iii) Typical structural forms of Odia Literature (Koili, Chautisa, Poi, Chaupadi, Champu).
-
125
v1 PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
-
126
PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
-
127
PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
-
128
v1 PAPER-I- Section B||iii ||b || Typical structural forms of Odia Literature chautisha
-
129
PAPER-I- Section B||iii ||b || Typical structural forms of Odia Literature chautisha
-
130
v1 PAPER-I- Section B||iii ||c || Typical structural forms of Odia Literature chaupadi
-
131
PAPER-I- Section B||iii ||c || Typical structural forms of Odia Literature chaupadi
-
132
v1 PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
-
133
PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
-
134
v1 PAPER-I- Section B||iii ||e || Typical structural forms of Odia Literature champu
-
135
PAPER-I- Section B||iii ||e || Typical structural forms of Odia Literature champu
PAPER-I- Section B-(iv) Modern trends in poetry, drama short story, novel essay and literary criticism.
-
136
v1 PAPER-I- Section B-(iv) (a) Introduction of Mordenity
-
137
PAPER-I- Section B-(iv) (a) Introduction of Mordenity
-
138
v1 PAPER-I- Section B-(iv) (b) Nava Jagarana
-
139
PAPER-I- Section B-(iv) (b) Nava Jagarana
-
140
v1 PAPER-I- Section B-(iv) (c) Modern trends in poetry
-
141
v2 PAPER-I- Section B-(iv) (c) Modern trends in poetry
-
142
v3 PAPER-I- Section B-(iv) (c) Modern trends in poetry
-
143
PAPER-I- Section B-(iv) (c) Modern trends in poetry
-
144
v1 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
145
v2 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
146
v3 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
147
v4 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
148
v5 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
149
v6 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
150
v7PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
151
v8 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
152
v9 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
153
v10 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
154
v11 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
155
v12 PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
156
PAPER-I- Section B-(iv) (d) Modern trends in Novels
-
157
v1 PAPER-I- Section B-(iv) (e)Uttara Adhunikata
-
158
v1 PAPER-I- Section B-(iv) (f)Mordenism and Odia drama
-
159
PAPER-I- Section B-(iv) (f)Mordenism and Odia drama
-
160
v1 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
-
161
v2 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
-
162
v3 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
-
163
v1 PAPER-I- Section B-(iv) (h)mordenism and Odia Samalochana
-
164
Renaissence
-
165
v1 PAPER-I- Section B-(iv) (f)Mordenism and Odia short story
-
166
v1 PAPER-I- Section B-(iv) (f)Mordenism and Odia short story
-
167
v1 PAPER-I- Section B-(iv) (h)mordenism and Odia Samalochana
PAPER-II- Section A- Poetry
-
168
v1 PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
169
v1 PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
170
v 2 PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
171
v3PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
172
v4PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
173
v4PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
174
PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
-
175
v1 PAPER-II- Section A- Poetry (Ancient)-2||b|| Important Questions Jadu Avadhuta Sambãda
-
176
v1 PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
-
177
v2 PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
-
178
PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
-
179
v2 PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
-
180
v1 PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
-
181
PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
-
182
PAPER-II- Section A- Poetry (Modern)- 8. Ramãkãnta Ratha-Saptama Ritu.
-
183
PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu.
-
184
PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v1
-
185
PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v2
-
186
PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v3
PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
187
PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
188
v1 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
189
v2 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
190
v3 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
191
v4 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
192
v5 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
193
v6 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
194
v7 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
195
v8 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
-
196
v9 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
PAPER-II- Section A- Poetry (Modern)-6. Māyādhar Mänasinha— mahanadi re jyotsna vihara
PAPER-II- Section A- Poetry (Modern)- 5. Rãdhãnath Ray_5. Rãdhãnath Ray_Chilika
PAPER-II- Section A- Poetry (Modern)-7. . Sãtchidananda Routray-Baji Routray
PAPER-II- Section B- (Drama)- 9. Manoranjan Dãs-Klanta Prajapati
PAPER-II- Section B
-
207
v1 PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
-
208
v2PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
-
209
PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
-
210
v1PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
-
211
v2PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
-
212
PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
-
213
v1PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
-
214
v2PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
-
215
PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
-
216
v1PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
217
v2PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
218
v3PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
219
v4PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
220
v5PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
221
v6PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
222
v7PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
223
v8PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
224
v9PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
225
PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
-
226
v1PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
-
227
v2PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
-
228
PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
-
229
v1 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
-
230
v2 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
-
231
v3 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
-
232
PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
-
233
v1 PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
-
234
v2 PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
-
235
PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
Reviews
Please, login to leave a review
Popular courses
Google