Instructor
Dr. Subhashree Sampada
Description
Pay on: 8763232327@ybl
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ଆପଣ ପଇସା ପଠେଇଥିବା ଫୋନ ନମ୍ବର ସହ Email ID କୁ ମାତୃଏକାଡେମୀ ର WhatsApp ନମ୍ବର 8763232327କୁ ପଠାଇ ଦିଅନ୍ତୁ| 24 ଘଣ୍ଟା ଭିତରେ ଆପଣ ପାଠ୍ୟକ୍ରମର ଲାଭ ନେଇପାରିବେ
ଏହି କୋର୍ସ ଓଡିଆ ଭାଷା ଓ ସାହିତ୍ୟର ଅଭ୍ୟାସରେ ଦକ୍ଷତା ବୃଦ୍ଧି କରିବା ସହିତ ସିଭିଲ୍ ସର୍ଭିସ ମୁଖ୍ୟ ପରୀକ୍ଷାରେ ସଫଳତା ପ୍ରାପ୍ତିରେ ସାହାଯ୍ୟ କରିବ।
Curriculum
Important Instruction
Starting Course
PAPER-I- Section A- (I) Origin and development of Odia Language-Influence of Austric, Dravidian, Perso Arabic and English on Odia Language.
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9
PAPER-I- Section A||a|| Origin of Odia Language -
10
Origin of Odia Language -
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PAPER-I- Section A||b|| Language of Abhilekha
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PAPER-I- Section A||c|| Language of Charjya Gitika
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PAPER-I- Section A||d|| Language of Ancient Odia prose
ମାଦଳାପାଞ୍ଜିରେ ଗଦ୍ୟ ଭାଷା ।
ଓଡ଼ିଆ ଭାଷା ଓ ଓଡ଼ିଶାର ଇତିହାସ ଦୃଷ୍ଟିରୁ ମାଦଳାପାଞ୍ଜି ଏକ ଜାତୀୟ ସମ୍ପଦ । ଏହାର ରଚନାକାଳ ସମ୍ପର୍କରେ ବିଭିନ୍ନ ମତ ପରିଦୃଷ୍ଟ ହୁଏ । ଏହାର ରଚନାକାଳର ଆରମ୍ଭ ସମ୍ପର୍କରେ ଯେଉଁ ମତଗୁଡ଼ିକ ପରିଦୃଷ୍ଟ ହୁଏ, ସେଗୁଡ଼ିକୁ ମୁଖ୍ୟତଃ ଦୁଇଭାଗରେ ବିଭକ୍ତ କରାଯାଇପାରେ । ଷୋଡ଼ଶ ଶତାବ୍ଦୀ ପୂର୍ବବର୍ତ୍ତୀ ରଚନା ରୂପେ ପରିଦୃଷ୍ଟ ମତ ଓ ଷୋଡ଼ଶ ଶତାବ୍ଦୀ ପରବର୍ତ୍ତୀ ରଚନା ରୂପେ ପରିଦୃଷ୍ଟ ମତ । ପ୍ରଥମ ମତର ପରିପୋଷକ ହେଉଛନ୍ତି ପଣ୍ଡିତ ସୂର୍ଯ୍ୟନାରାୟଣ ଦାଶ , ପଣ୍ଡିତ ଆର୍ତ୍ତବଲ୍ଲଭ ମହାନ୍ତି , ପ୍ୟାରୀମୋହନ ଆଚାର୍ଯ୍ୟ , ପଣ୍ଡିତ କୃପାସିନ୍ଧୁ ମିଶ୍ର (ଓ ଦ୍ବିତୀୟ ମତର ପରିପୋଷକ ହେଉଛନ୍ତି ଡଃ ହରେକୃଷ୍ଣ ମହତାବ , ପଣ୍ଡିତ ନୀଳକଣ୍ଠ ଦାସ , ଡଃ କୃଷ୍ଣଚନ୍ଦ୍ର ପାଣିଗ୍ରାହୀ , ଡଃ କୁଞ୍ଜବିହାରୀ ତ୍ରିପାଠୀ , ମନମୋହନ ଚକ୍ରବର୍ତ୍ତୀ , ଡଃ ସୁନୀତି କୁମାର ଚାଟାର୍ଜୀ , ରମାପ୍ରସାଦ ଚାନ୍ଦ , ଡଃ ଖଗେଶ୍ୱର ମହାପାତ୍ର , ଇତ୍ୟାଦି ।
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PAPER-I- Section A||e|| Language of 15th century/1
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PAPER-I- Section A||e|| Language of 15th century/2
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PAPER-I- Section A||e|| Language of 15th century/3
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PAPER-I- Section A||f|| Language of Pancha Sakha
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PAPER-I- Section A||g|| Language of Riti Juga
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PAPER-I- Section A||h|| Language after Riti Juga
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PAPER-I- Section A||i|| Language of 19th Century
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PAPER-I- Section A||j|| Influence of Austric on Odia Language.
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PAPER-I- Section A||k|| Influence of Dravidian on Odia Language
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PAPER-I- Section A||l|| Influence of Perso Arabic on Odia Language.
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PAPER-I- Section A||m|| Influence of English on Odia Language.
PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 1
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.2
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./3
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./4
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./5
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./6
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds./7
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds.8
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 9
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Video lectures PAPER-I- Section A- (ii) Phonetics and Phonemics: Vowels, Consonants Principles of changes in Odia sounds. 10
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PAPER-I- Section A- (ii)(a) Phonetics and Phonemics: Vowels, Consonants
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PAPER-I- Section A|| ii||b|| Principles of changes in Odia sounds.
PAPER-I- Section A- (iii) Morphology: Morphemes (free, bound compound and complex), derivational and inflectional affixes, case inflection, conjugation of verb.
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PAPER-I- Section A- (iii) video of Morphology 1
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PAPER-I- Section A- (iii) video of Morphology 2
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PAPER-I- Section A- (iii) (a)Morphology
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PAPER-I- Section A||iii||b||Morphemes (free, bound, compound and complex)
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PAPER-I- Section A||iii||c|| derivational and inflectional affixes
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PAPER-I- Section A||iii||d|| Case inflection,conjugation of verb
PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.
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PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences. v1
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PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences. v2
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PAPER-I- Section A- (iv) Syntax: Kinds of sentences and their transformation, structure of sentences.
ବାକ୍ୟ-ବିଜ୍ଞାନ (Syntax)
ବାକ୍ୟବିଜ୍ଞାନରେ ବାକ୍ୟ ଗଠନ ପ୍ରକ୍ରିୟା ସମ୍ପର୍କରେ ବର୍ଣ୍ଣନାତ୍ମକ, ତୁଳନାତ୍ମକ ଓ ଐତିହାସିକ ଦୃଷ୍ଟିକୋଣରୁ ଅଧୟନ କରାଯାଇଥାଏ । ବାକ୍ୟର ସାଧାରଣ ସଂଜ୍ଞା ହେଉଛି, ପୂର୍ଣ୍ଣ ରୂପେ ମନର ଭାବପ୍ରକାଶ କରୁଥିବା ସାର୍ଥକ ପଦ ବା ପଦ ସମୂହର ସମାହାର ହେଉଛି ବାକ୍ୟ ।” ଭାରତୀୟ ଭାଷାବିତ୍ ପତଞ୍ଜଳି (ଆନୁମାନିକ ଖ୍ରୀ:ପୂ: ୧୫୦) ଏବଂ ୟୁରୋପୀୟ ବିଦ୍ବାନ୍ ଥାସ (ଖ୍ରୀ:ପୂ: ପ୍ରଥମ ଶତାବ୍ଦୀ) ପ୍ରଭୃତି ଏପରି ମତର ପ୍ରବକ୍ତା ଥିଲେ । ବାକ୍ୟ ହେଉଛି ଭାଷାର ମୂଳଭିତ୍ତି । ମାନବର ଚିନ୍ତା, ଉପଲବ୍ଧି , ଅଭିବ୍ୟକ୍ତି ସବୁ ଏହି ବାକ୍ୟଦ୍ୱାରା ହିଁ ସମ୍ଭବ ହୋଇଥାଏ । ତେବେ ବାକ୍ୟ ଶବ୍ଦମାନଙ୍କର ସମାହାର କି ‘ଶବ୍ଦ ବାକ୍ୟର କୃତ୍ରିମ ଖଣ୍ଡ’ -ଏ ସମ୍ପର୍କରେ ମତଦ୍ଵିଧା ରହିଛି । ଅନ୍ଵିତାଭିଧାନବାଦ ଅନୁଯାୟୀ ବାକ୍ୟ ହିଁ ମୂଳସଭା, ଶବ୍ଦ ଏହାର ଖଣ୍ଡିତ ଅଂଶ, କିନ୍ତୁ ଅଭିହିତାନ୍ୱୟବାଦ ଅନୁଯାୟୀ ପଦ ହିଁ ମୂଳସତ୍ତା ଓ ବାକ୍ୟ ଏହି ପଦମାନଙ୍କର ଯୋଗଦ୍ବାରା ଗଠିତ ରୂପ । ଭର୍ତ୍ତୃହରି ତାଙ୍କର ‘ବାକ୍ୟପଦୀୟ’ ଗ୍ରନ୍ଥର ବ୍ରହ୍ମକାଣ୍ଡରେ ଉଲ୍ଲେଖ କରିଛନ୍ତି ଯେ ବାକ୍ୟ ହିଁ ମୂଳସଭା । ପୃଥିବୀରେ ଏପରି ଅନେକ ଭାଷା ଅଛି, ଯହିଁରେ ବାକ୍ୟର ଶବ୍ଦ ରୂପରେ କୃତ୍ରିମ ବିଭାଜନ ନାହିଁ । ଏପରି ଭାଷାମାନଙ୍କରେ ବାକ୍ୟ ଅଛି, ଶବ୍ଦ ନାହିଁ ।ମୋଟାମୋଟି ଭାବରେ ବାକ୍ୟର ଭାଷାତାତ୍ତ୍ଵିକ ସଂଜ୍ଞା ହେଉଛି—ଏହା ସାର୍ଥକ ଧ୍ବନିମାନଙ୍କର ସମଷ୍ଟି ଯାହା ସମ୍ପୂର୍ଣ ଭାବପ୍ରକାଶ ଦୃଷ୍ଟିରୁ ଅପୂର୍ଣ୍ଣ ହେଲେହେଁ ବ୍ୟାକରଣିକ ଦୃଷ୍ଟିରୁ ସ୍ୱୟଂସମ୍ପୂର୍ଣ୍ଣ ଓ ଯହିଁରେ ପ୍ରତ୍ୟକ୍ଷ ବା ପରୋକ୍ଷ ଭାବରେ ଚିନ୍ତାଧାରାର ଆଭାସ ମିଳେ ।
PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism.
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PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism. v1
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PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism. v2
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PAPER-I- Section A- (v) Semantics—Different types of change in meaning. Euphemism.
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PAPER-I- Section A||v||b || Euphemism. v1
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PAPER-I- Section A||v||b || Euphemism.
PAPER-I- Section A- (vi) Common errors in spellings, grammatical uses and construction of sentences.
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PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses v1
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PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses v2
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PAPER-I- Section A- (vi) || a||Common errors in spellings, grammatical uses
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PAPER-I- Section A- (vi) B Common errors in construction of sentences v1
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PAPER-I- Section A- (vi) B Common errors in construction of sentences
PAPER-I- Section A- (vii) Regional variations in Odia Language (Western, Southern and Northern Odia) and Dialects (Bhatri and Desia).
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PAPER-I- Section A- (vii) (b)Western variations in Odia Language v1
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PAPER-I- Section A- (vii) (b)Western variations in Odia Language v2
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PAPER-I- Section A- (vii) (b)Western variations in Odia Language
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PAPER-I- Section A- (vii) (c)Southern variations in Odia Language v1
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PAPER-I- Section A- (vii) (c)Southern variations in Odia Language
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PAPER-I- Section A- (vii) (d)Northern variations in Odia Language v1
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PAPER-I- Section A- (vii) (d)Northern variations in Odia Language v2
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PAPER-I- Section A- (vii) (d)Northern variations in Odia Language
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PAPER-I- Section A- (vii) (e)Bhatri Dialects v1
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PAPER-I- Section A- (vii) (e)Bhatri Dialects v2
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PAPER-I- Section A- (vii) (e)Bhatri Dialects
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PAPER-I- Section A- (vii) (f)Desia Dialects v1
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PAPER-I- Section A- (vii) (f)Desia Dialects
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PAPER-I- Section A- (vii) (f)Desia Dialects
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PAPER-I- Section A- (vii)(a) Regional variations in Odia Language v1
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PAPER-I- Section A- (vii)(a) Regional variations in Odia Language
PAPER-I- Section B-(i) Historical backgrounds (social, cultural and political) of Odia Literature of different periods.
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PAPER-I- Section B-(iii) (b)Prak Sarala age v1
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PAPER-I- Section B-(iii) (b)Prak Sarala age v2
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PAPER-I- Section B-(iii) (b)Prak Sarala age
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PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v1
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PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v2
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PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction v3
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PAPER-I- Section B-(i) (g)Panchasakha age: An Introduction
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PAPER-I- Section B-(i) (h)Political Background of Panchashakha Period V
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PAPER-I- Section B-(i) (h)Political Background of Panchashakha Period
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PAPER-I- Section B-(i) ||a||Different periods of Odia literature v1
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PAPER-I- Section B-(i) ||a||Different periods of Odia literature
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v1
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v2
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v3
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v4
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v5
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v6
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v7
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala v8
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala age v9
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PAPER-I- Section B-(i) ||c|| Introduction of Sarala age
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v1 PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period v1
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v2 PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period
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PAPER-I- Section B-(i) ||d|| Political Background of Sarala Period
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v1 PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
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v2 PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
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PAPER-I- Section B-(i) ||e||Social Background of Sarala Period
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v1PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
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v2 PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
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PAPER-I- Section B-(i) (f) Cultural Background of Sarala Period
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v1 PAPER-I- Section B-(i) (i)Social Background of Panchashakha Period
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PAPER-I- Section B-(i) (i)Social Background of Panchashakha Period
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v1 PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
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v2 PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
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PAPER-I- Section B-(i) (j) Cultural background of Panchasakha
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v1 PAPER-I- Section B-(i) (k)Introduction of Reeti Period
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PAPER-I- Section B-(i) (k)Introduction of Reeti Period
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v1 PAPER-I- Section B-(i) (l)Political Background of Reeti Period
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PAPER-I- Section B-(i) (l)Political Background of Reeti Period
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v1 PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
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PAPER-I- Section B-(iii) (m)Social Background of Reeti Period
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v1 PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
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PAPER-I- Section B-(iii) (n) cultural Background of Reeti Period
PAPER-I- Section B-(ii) Ancient epics, ornate kavyas and padavalis.
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v1 PAPER-I- Section B-(ii) (a)ancient epics
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v2 PAPER-I- Section B-(ii) (a)ancient epics
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PAPER-I- Section B-(ii) (a)ancient epics
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v1 PAPER-I- Section B-(ii) (b)ornate kavyas
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v2 PAPER-I- Section B-(ii) (b)ornate kavyas
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v3 PAPER-I- Section B-(ii) (b)ornate kavyas
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PAPER-I- Section B-(ii) (b)ornate kavyas
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v1 PAPER-I- Section B-(ii) (c)padavalis.
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PAPER-I- Section B-(ii) (c)padavalis.
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Ornate Kavyas
PAPER-I- Section B-(iii) Typical structural forms of Odia Literature (Koili, Chautisa, Poi, Chaupadi, Champu).
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v1 PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
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PAPER-I- Section B||iii ||a|| Typical structural forms of Odia Literature (Koili).
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v1 PAPER-I- Section B||iii ||b || Typical structural forms of Odia Literature chautisha
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PAPER-I- Section B||iii ||b || Typical structural forms of Odia Literature chautisha
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v1 PAPER-I- Section B||iii ||c || Typical structural forms of Odia Literature chaupadi
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PAPER-I- Section B||iii ||c || Typical structural forms of Odia Literature chaupadi
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v1 PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
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PAPER-I- Section B||iii ||d|| Typical structural forms of Odia Literature poi
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v1 PAPER-I- Section B||iii ||e || Typical structural forms of Odia Literature champu
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PAPER-I- Section B||iii ||e || Typical structural forms of Odia Literature champu
PAPER-I- Section B-(iv) Modern trends in poetry, drama short story, novel essay and literary criticism.
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v1 PAPER-I- Section B-(iv) (a) Introduction of Mordenity
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PAPER-I- Section B-(iv) (a) Introduction of Mordenity
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v1 PAPER-I- Section B-(iv) (b) Nava Jagarana
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PAPER-I- Section B-(iv) (b) Nava Jagarana
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v1 PAPER-I- Section B-(iv) (c) Modern trends in poetry
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v2 PAPER-I- Section B-(iv) (c) Modern trends in poetry
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v3 PAPER-I- Section B-(iv) (c) Modern trends in poetry
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PAPER-I- Section B-(iv) (c) Modern trends in poetry
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v1 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v2 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v3 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v4 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v5 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v6 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v7PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v8 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v9 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v10 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v11 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v12 PAPER-I- Section B-(iv) (d) Modern trends in Novels
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PAPER-I- Section B-(iv) (d) Modern trends in Novels
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v1 PAPER-I- Section B-(iv) (e)Uttara Adhunikata
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v1 PAPER-I- Section B-(iv) (f)Mordenism and Odia drama
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PAPER-I- Section B-(iv) (f)Mordenism and Odia drama
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v1 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
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v2 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
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v3 PAPER-I- Section B-(iv) (g)Mordenism and Odia Prabandha
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v1 PAPER-I- Section B-(iv) (h)mordenism and Odia Samalochana
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Renaissence
PAPER-II- Section A- Poetry
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v1 PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
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v 2 PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
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v3PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
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v4PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
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PAPER-II- Section A- Poetry (Ancient)-2||a|| Critic analytics Original text Jaganãth Dãs-Bhãgabata, XI Skadhã-Jadu Avadhuta Sambãda.
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v1 PAPER-II- Section A- Poetry (Ancient)-2||b|| Important Questions Jadu Avadhuta Sambãda
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v1 PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
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v2 PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
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PAPER-II- Section A- Poetry(Medieval)- 3. Dinakrushna Dãs—Raskallola—Critic Analysis of Rasa Kallola
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v2 PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
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v1 PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
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PAPER-II- Section A- Poetry(Medieval)- 4. Upendra Bhanja—Lavanyabati (Chhãndas—1 & 2). Critical analysis lavanya bati
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PAPER-II- Section A- Poetry (Modern)- 8. Ramãkãnta Ratha-Saptama Ritu.
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PAPER-II- Section A- Poetry (Modern)- 8. Ramãkãnta Ratha-Saptama Ritu.
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PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v1
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PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v2
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PAPER- II- Section A- Poetry (Modern) - 8 . Ramakanta Ratha-Saptama Ritu. v3
PAPER-II- Section B
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v1 PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
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v2PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
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PAPER-II- Section B- (Drama)-10||a|| Bijay Mishra–Tata Niranjanä
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v1PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
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v2PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
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PAPER-II- Section B- (Novel)- 11||a|| Original text Fakir Mohan Senăpati-Chhamăna Athaguntha.
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v1PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
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v2PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
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PAPER-II- Section B- (Novel)-12||a|| Original text Gopinãth Mohãnty—Dãnãpani
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v1PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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194
v2PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v3PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v4PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v5PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v6PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v7PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v8PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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v9PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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PAPER-II- Section B- (Short Story)-13||a|| Original text Surendra Mohãnty-Marãlara Mrityu.
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203
v1PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
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v2PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
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PAPER-II- Section B- (Short Story) 14. Manoj Dãs—Laxmira Abhisára.
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v1 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
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v2 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
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v3 PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
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209
PAPER-II- Section B- (Essay)- 15. Chittaranjan Dãs—Tranga o Tadit (First Five essays).
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v1 PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
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211
v2 PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
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212
PAPER-II- Section B- (Essay)- 16. Chandra Sekhar Rath—Mun Satyadharmã Kahuchhi (First five essays).
PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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213
PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v1 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v2 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v3 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v4 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v5 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v6 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v7 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v8 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
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v9 PAPER-II- Section A- Poetry (Ancient)-1. Sãralã Dãs—Gada Parva from Mahābhārata.
PAPER-II- Section A- Poetry (Modern)-6. Māyādhar Mänasinha— mahanadi re jyotsna vihara
PAPER-II- Section A- Poetry (Modern)- 5. Rãdhãnath Ray_5. Rãdhãnath Ray_Chilika
PAPER-II- Section A- Poetry (Modern)-7. . Sãtchidananda Routray-Baji Routray
PAPER-II- Section B- (Drama)- 9. Manoranjan Dãs-Klanta Prajapati
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